2020
Typography Layout
For this series, I interpreted Khalil Gibran’s Reason and Passion by transforming the text into visual systems that mirror the meaning of his words. Each layout is a conceptual response to the tension, harmony, and duality described in the writing. Instead of treating typography as passive content, I treated it as an expressive medium — allowing form, structure, and pacing to take on the emotional tone of the passage.
1. Balance of Logic and Emotion
One layout uses a quiet, restrained grid paired with a soft color palette, reflecting the calm clarity of reason. The serif type, measured spacing, and symmetrical composition embody a sense of order and introspection. The abstract painting on the right introduces the counter-voice of passion — fluid, textured, and unrestrained — visually communicating the struggle and reconciliation between the two forces.
2. Spiraling Tension and Movement
Another interpretation uses a tight, spiraling typeset that pulls the eye inward as the text compresses into itself. This format echoes the swirling, consuming nature of passion and the way emotion can draw you into its center. Bold, distressed letterforms clash with the circular motion, reinforcing the push-and-pull relationship between reason’s structure and passion’s volatility.
3. Dimensional Interpretation
A third concept visualizes the text as three-dimensional blocks, alternating between light and dark to represent Gibran’s dichotomy. The modular design alludes to the intellectual stacking and re-stacking of ideas — how reason constructs the framework, while passion injects color, energy, and disruption. By shifting blocks out of alignment, the composition captures the instability and interdependence of both forces.
Across all layouts, the goal was to allow the physical form of the typography to speak the same emotional message as the writing. Through scale, rhythm, and spatial tension, each composition visually expresses the central theme: that reason and passion coexist, challenge each other, and ultimately shape the human experience.


